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플로렌스 놀 사이드 테이블 마블
F.Knoll Side Table Marble
대리석 테이블로 고급스럽고 중후하며 깔끔한 마무리가 돋보이는 테이블입니다.
판매가격 1:1 문의
쿠폰 바로 할인받는 12.8%쿠폰
프로모션코드 바로 할인받는 0% - 코드
모바일/테블릿 할인 0% 추가할인 0% 추가적립
배송 택배무료
UOS는 한국 최초 Knoll, Humanscale,Sedus의
공식 수입원으로서,약 20년 동안 개인고객과
기업체에 판매 및 AS를 하고 있습니다.
- 주문 후 1~3개월 소요
- 기본 마감재 선택 시 금액
- 해상운임, 통관비 별도


Details Information
사이즈 (mm) 730 x 730 x 470
소재 크롬베이스 위 마블
제조사 Knoll
원산지 이탈리아
수입원 (주)유오스
Related Products
Product Story

 

 

 

 

KnollStudio

 

Florence Knoll Coffee Table

by Florence Knoll 1961

 

 

 

 

 

 

Product Story

 

As head of the Knoll Planning unit, Florence Knoll always approached furniture design with the larger space in mind. Most important to her was how a piece fit into the greater design — the room, the floor, the building. Every element of a Knoll-planned space supported the overall design and complemented the existing architecture.

Never one to compromise, Florence would often design furniture when she, “needed the piece of furniture for a job and it wasn’t there.” And while she never regarded herself as a furniture designer, her quest for harmony of space and consistency of design led her to design several of Knoll’s most iconic pieces of furniture—all simple, none plain.

As skyscrapers rose up across America during the post-war boom, Florence Knoll saw it as her job to translate the vocabulary and rationale of the modern exterior to the interior space of the corporate office. Thus, unlike Saarinen and Bertoia, her designs were architectural in foundation, not sculptural. She scaled down the rhythm and details of modern architecture while humanizing them through color and texture. Her occasional table collection, designed in 1954 to complement her eponymous lounge collection, is a perfect example of her restrained, geometric approach to furniture, clearly derived from her favorite mentor, Mies van der Rohe.

 

 

 

 

 

 

 

Designer

 

Born to a baker, and orphaned at age twelve, Florence Schust grew up Saginaw, Michigan. Schust demonstrated an early interest in architecture and was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art.

While at Kingswood, Florence befriended Eilel Saarinen, whom she would later study under at Cranbrook. Warmly embraced by the Saarinen family, Florence seeded in Michigan the foundations of her incredible design education and pioneering career. Florence went on to study under some of the greatest 20th century architects, including Gropius, Breuer, and Mies. In 1941 Florence moved to New York where she met Hans Knoll who was establishing his furniture company. With Florence’s design skills and Hans’ business acumen and salesmanship, the pair, who married in 1946, grew the nascent company into an international arbiter of style and design. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America.

After the tragic death of Hans Knoll in 1955, Florence Knoll led the company as president through uncertain times. In 1960 she resigned the presidency to focus on directing design and development and, in 1965 after pioneering an industry and defining the landscape and aesthetic of the corporate office, Florence Knoll Basset (she remarried in 1957) retired from the company. Her contributions to Knoll, and to the rise of modernism in America, are immeasurable.

 

 

 

 

 




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